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YOU are an essential part of what we do. Simply put, without recurring monthly contributions from readers like you, it's impossible to provide the high quality journalism that protects the marginalized and holds the powerful accountable. We've all seen what happens to communities when reporting disappears and falsehoods take root. So if you believe our mission is important and necessary, please consider a monthly or one-time contribution to the Stranger , and we'll keep working hard for you and those who need it most! A very well-groomed woman sits silently behind the desk at Susan Inglett gallery in Chelsea, with a large glass box on a shelf above her head. The box is empty except for a giant lead double dildo, lying on its side like a barely contained animal.
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11.06.2021
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Richard Meyer on Lynda Benglis - Artforum International

It all began with a woman with a phallus. She was Lynda Benglis, a year-old rising star in the New York art firmament of the early s, Post-Minimal division. The instrument in question was a large, cast-latex double-headed dildo that Ms. Benglis held defiantly between her thighs in a now infamous color photograph. It was the historic dust-up that ensued when this photograph appeared, in , in Artforum, the leading art magazine of the time.
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What Lynda Benglis Wore

As she arrives in Britain for Frieze Masters, we meet the radical prankster. L ynda Benglis is a feminist icon. She has more than earned her place in such a setting. So why is she a feminist icon?
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The magazine received more letters for a single issue than it had in its year history. In a no less extreme reaction, the two women among those five editors—Rosalind Krauss and Annette Michelson—would soon quit the magazine to start October. Everyone knew their departure had begun with an advertisement. Benglis, 33 years old at the time, had studied painting at the Brooklyn Museum Art School, where she developed a Pollockish style of pouring paint over gallery floors.
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